tag:blogger.com,1999:blog-350921892117104085.post4230748853979293820..comments2024-01-16T12:31:06.802-06:00Comments on <center>The Music Futurist</center>: The Ostracism of the Tonal Composers (Part Two) - Theodor AdornoDon Robertsonhttp://www.blogger.com/profile/08030525504827671640noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-350921892117104085.post-28895155561290795662024-01-16T12:31:06.802-06:002024-01-16T12:31:06.802-06:00Think there might be some discordant music that is...Think there might be some discordant music that is has melodic and harmonic 'hooks' - like 4ths/5ths, melodic/leading clusters and - phrasing to stun but not decapitate. I dig 19th-20th Century guys with Russian, Prokofiev and Tchaikovsky toward top of list - Copland, Finsi. But I get the aversion to Schoenberg .. not so much Bartok - but in general the chromatic scale harmonic sequencing. Have a care .. best regards - LazeAnonymousnoreply@blogger.com