In 1967, I made an important discovery when I realized that the harmonic spectrum of music, like an electronic field, exhits two separate poles that govern the physical, mental and emotional effect that music has on us, on animals, and on all life as well. One pole is positive, harmonious and concordant, and the other is negative, disharmonious and discordant. As the 20th century began unfolding during the early 1900s, classical composers began creating a new style of music based on discord, the influence from the negative side. This gradually made its way into the concert halls and became a mainstay in the film industry, providing negative emotional resonance for violent and suspenseful scenes in crime and horror films. I discuss this and give examples in Episode One of my "Notes" series...
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